Heilige Familie 1714
Oil on panel, 36 x 29 cm
Amstelkring Museum, Amsterdam das Ölvon 1714 auf Unterausschuss, 36 X 29 cm Amstelkring Museum, Amsterdam Dutch Baroque Era Painter, 1659-1722
Heilige Familie approx. 1594-1604, Hospital of San Juan Bautista, Toledo ungefähr 1594-1604, Krankenhaus von Sankt Juan Bautista,Toledo Greek-born Spanish Mannerist Painter, 1541-1614
HeiligeFamilie 1522
Oil tempera on panel
Museo del Prado, Madrid. der Öl tempera von 1522 auf täfelt Museo del Prado, Madrid. Flemish Northern Renaissance Painter, ca.1488-1541
Heilige Familie mk60
Oil on canvas
transferred from panel
17x12 1/2:
mk60 Öl auf Leinwand die von übertragenwird täfelt 17x12 1/2: Flemish Northern Renaissance Painter, ca.1485-1540
Italian Early Renaissance Painter ,
b. 1445/46, Venezia, d. 1503/5, Venezia
Gemälde ID:: 29488
Heilige Familie 1480
Tempera on wood, 175 x 196 cm der Tempera von 1480 auf Holz 175 X 196 cm Italian Early Renaissance Painter ,
b. 1445/46, Venezia, d. 1503/5, Venezia
HeiligeFamilie mk86
1522
Oil tempera on wood
90x74cm
Madrid,Museo del Prado
der Öl tempera von mk86 1522 auf Holz 90x74cm Madrid, Museo del Prado Brussels ca 1488-1541
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Gemälde ID:: 62053
Holy Family mk276 1520 Oil on canvas 129 x 105 cm National Museum of Art in Florence, DE b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Gemälde ID:: 63536
Holy Family 1520 Poplar panel, 61 x 47 cm Pinacoteca di Brera, Milan Constructed on a series of triangular rhythms heightened by the violent tension of the drapery, which seems to absorb the figures, the composition has a rarefied atmosphere. Every gesture assumes an almost hieratic dignity, and every figure tends to take on an architectonic fixity. The figure of the Christ Child violently escapes from this formal severity. The audacious, almost explosive gesture of his arms seems to introduce the more serene and contemplative effect of the background, in which unreal, almost stage-set buildings stand out against the luminous sky. The buildings recall Bramantino's work as an architect and architectural theoretician. Of his work in this field, only the mausoleum for the Trivulzio family in Milan has survived.Artist:BRAMANTINO Title: Holy Family Painted in 1451-1500 , Italian - - painting : religious Italian High Renaissance Painter, ca.1460-1530
Gemälde ID:: 63694
Holy Family 1505 Panel Germanisches Nationalmuseum, Nuremberg The picture shows a panel of the Mindenheimer Altarpiece.Artist:STRIGEL, Bernhard Title: Holy Family Painted in 1501-1550 , German - - painting : religious German Northern Renaissance Painter, ca.1460-1528
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Gemälde ID:: 63836
Holy Family 1528 Oil on panel, 140 x 104 cm Galleria Nazionale d'Arte Antica, Rome In his biography of Andrea del Sarto, Vasari mentions this painting right after a panel of the same subject painted for Zanobi Bracci. The latter picture survives: given to Cardinal Ferdinando de Medici it is now in the Galleria Palatina at the Palazzo Pitti in Florence. The picture now in Rome, painted for the same Zanobi, was originally installed in the chapel of the Villa di Rovezzano. Numerous copies of this celebrated work exist. Art historians set the date of the composition at 1528-29, comparing it to the Madonna, St Elizabeth and St John the Baptist that Andrea executed for Ottaviano de' Medici. The figure of St Joseph is clearly related to the Raphaelesque model of the Louvre Sacred Family, once owned by King Fran?ois I.Artist:ANDREA DEL SARTO Title: Holy Family (Barberini) Painted in 1501-1550 , Italian - - painting : religious b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Gemälde ID:: 73242
Holy Family oil on canvas, by the Dutch artist Cornelis van Haarlem. 86.4 cm x 59.1 cm
cyf Dutch painter (b. 1562, Haarlem, d. 1638,
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Gemälde ID:: 76509
Holy Family Date ca. 1529(1529)
Medium Oil on wood
cyf b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
Gemälde ID:: 77302
Holy Family between 1630(1630) and 1635(1635)
Oil on canvas
43 cm (16.9 in). Height: 57 cm (22.4 in).
cjr (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter.
Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni.
In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Gemälde ID:: 78322
Holy Family 1520(1520)
Oil on wood
Width: 105 cm (41.3 in). Height: 129 cm (50.8 in).
cjr b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Gemälde ID:: 81395
Holy Family 1520(1520)
Medium Oil on wood
cyf b.July 16, 1486, Florence
d.Sept. 28, 1530, Florence
Italian Andrea del Sarto Galleries
Gemälde ID:: 85224
Holy Family Date second half of 16th century
Medium Oil on oak panel
Dimensions Height: 95 cm (37.4 in). Width: 74 cm (29.1 in).
cjr painted Portrait of Jan Wyts in 16th century
Gemälde ID:: 86525
Holy Family Date 1522(1522)
Medium Oil tempera on wood
Dimensions Height: 90 cm (35.4 in). Width: 74 cm (29.1 in).
cjr Flemish Northern Renaissance Painter , c.1488-1551
